In case you are wondering if they have scenes together, no, they don’t.
Prakash Raj plays his usual role with conviction. It is still no way near to what she has been doing in supporting parts in the few movies she does. The glamour show is on the spot, though.īhoomika comparatively has a stronger role, despite less screen time. There is nothing in the movie for them performance-wise. They are presented like toys for the voyeuristic enjoyment of the audience as well as the hero. Sonal Chauhan and Vedika are the heroines in the movie who appear in the first and second half, respectively. It is meant for hardcore fans of either the star or action genre only. Its ancient tale of heroism is done to death. Overall, Ruler has nothing redeeming to offer, except the fights. It is here that we recall the vitality of story of Jai Simha no matter how archaic it came across. The weak characterisation dampens the overall mass impact. There is a fun angle to them via the dialogues, and hence they work no matter how lengthy or overdone.Īs is with most of the mass films in the past few years, the villain is mostly a dummy guy. In general, flashback or present, the fight sequences are the best part of the movie. As mentioned earlier, the getup in flashback adds to the misery. They work well for the action scenes, and that’s it. There are zero surprise elements, and the elevation is on predictable lines. It is the core story where Ruler falters heavily. However, a couple of sequences in the second half cross the threshold level concerning the comedy. They are also little vulgar, but that isn’t a big issue as seen with another recent mass entertainer. However, even in that case, the actual scenes are presented in a dated manner. Only the initial portions involving Balakrishna in an urban avatar evoke some freshness. But, the actual movie has zero novelty and surprise value. One might have thought something crazy on offer based on the trailer. The basic story of Ruler is as outdated as it comes. Unfortunately, there is no such luck for Ruler. Luckily, the same factor worked in elevating the drama of his last film with Balakrishna, Jai Simha. It comes across as outdated to the current times. But, he seems to be stuck in a time warp and hasn’t come out. KS Ravikumar is a senior director who knows his craft well. Except for the wig and styling, in general, there is nothing to complain. He tries his best to chill out, which is visible.Īs the regular mass action hero, Balakrishna goes about the work as a fish in the water. The star also does his best to showcase a ‘cool’ body language as a slick urban guy that doesn’t come naturally to him. The smart corporate chief look of Balakrishna is neatly designed. The styling is decent in one getup but is terrible and distracting in other.
The former is worth appreciating as even in this age, Balakrishna puts his best foot forward and tries to come up with new body language. Two things that immediately strike to us watching the movie are efforts of Nandamuri Balakrishna and his styling. Who is Dharma, and how is he related to the villagers? What is their problem and how Arjun solves it is what the movie is all about? Upon reaching there, the villagers are shocked to see Arjun and refer to him as Dharma. A project leads Arjun Prasad to Uttar Pradesh which is vehemently resisted by his mother.
JAI SIMHA MOVIE 123 TELUGU PRO
He heads the company like a pro and takes it several notches higher.
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